Finding the Fisherman is a work in progress that submerges us into memory. An affective memory that recalls amorous encounters by the sea. The projects seeks to lead us towards a disperse intimacy - a cloudy one - within time and space. The language of photography permits access to memories and to their interpretation and recollection. What's essential isn't necessarily if we can grasp a specific memory, but more so the event in itself, via forms and capturing textures that coincide with our memory. "Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My langage trembles with desire. The emotion derives from a doublé contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is “I desire you,” and releases, nourishes, ramifies it to the point of explosión (langage experiences orgasm upon touching itself) ; on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure." Roland Barthes, A Lover's discourse : Fragments, 1977.